The design of the Maxim table-sculpture stems from the seamless link between its shape, consisting of three petals, and the material it is made from. It derives from manual craftsmanship and a cold moulding technique, which does not involve exploiting energy resources. The industrialised processes are only to support the high artisan component of the manual phases of pouring the liquid cement and the finishing. The base of this modern table is in fact finished in clay, with earthy and natural shades.